My understanding is that Panasonic changed the structure of its Raw files with the move to 14 bit, so you can't just spoof the camera ID. Not everything you record has an extreme amount of dynamic range. I'll see if I can amend the text to make this clearer. We need like 416 more pixels on the long side. Only photographers who think they want to shoot more video, or v-loggers that don’t really understand film making clamour for FF. (The ones for 'G' lenses are less fiddly than the ones that need mechanical aperture control, in my experience). Sadly the 0.64x Speedbooster takes the net crop to 1.28x, which is substantially wider than the roughly 1.5x crop APS-C lenses are designed for. This makes it possible to input sounds from an external audio device, for more efficient video production. Why? / Digital Zoom / Stabilizer / 4K Live Cropping / Motion Pic. I am getting some really interesting results with my GH5s. It means the GH5S can shoot 14-bit Raw files in stills mode, which the GH5 can't. Also, with a 1EV noise disadvantage (given both sensors are almost certainly BSI and hence likely to be comparable in terms of efficiency), the RX is going to have the same challenges as the a7S II only more so, since it'll have a noisier/lower DR signal that's then compressed into 100 Mbps 8-bit. Also the camera itself even shows that the Luminance Level is limited to values of "64-940". Faster frame rates mean excellent motion compensation plus you can slow down footage inside your video editing timeline without losing detail. There's something I don't get:When I compare the 4K video stills of the GH5s to the Sony a6500, The image from the a6500 is clearly better, but everyone seems to agree that the GH5s shoots better moving pictures overall. That's an interesting question. GH5S Summary. I'm also not sure how good it needs to get to be acceptable to the kinds of people likely to buy and shoot with a camera with such high video quality. I think I found the B-Cam for my next project... @JordanDrake, how about a re-review of GH5, GH5S in 2020 with a brand new context of Canon R5, Sony A7Siii? Plus this full-time connection between the camera and mobile device consumes less energy. The display is brightened by lowering the frame rate and increasing the gain. The diagram in the Multi-aspect sensor section of page 1 of the review should make clear what's going on. Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital Camera International Version + Panasonic Lumix G X Vario 12-35mm II Lens + 128GB Class 10 … It's a subtle evolution but enough to keep the $2000 Z model competitive. This additional pixel-level dynamic range is the reason the GH5S needs to offer 14-bit Raw files: because you need the extra bit-depth to provide room for that additional dynamic range. It sets a new standard. Operation is confirmed with Panasonic SD memory card with video speed class 90. Style / AF/AE LOCK / AF-ON / Preview / One Push AE / Touch AE / Level Gauge / Focus Area Set / Zoom Control / 1 Shot RAW+JPG / 1 Shot Spot Metering / 1 Shot 4K PHOTO / Operation Lock / Dial Operation Switch / Destination Slot / Photo Style / Filter Select / Aspect Ratio / Picture Size / Quality / RAW Bit Size / AFS/AFF / Metering Mode / Burst Rate / 4K PHOTO / Self Timer / Bracket / Highlight Shadow / i. Big thanks for taking the time to explain all this, and really digging into it in such detail. So I'd argue that one thing follows from the other. ;). Couple of possibilities: 1) poor lens; 2) camera not properly supported.1) we need to remember that most of the Panasonic and Olympus lenses are such poor quality that they shouldn't be used for anything except paperweights, especially the 14-1xx. Using any other value besides those will limit dynamic range. There was a lot of interesting information in the GH5s manual. It would be interesting to see how they compare, though. - Video Speed Class 60 or higher is required for ALL-Intra 400Mbps recording. Its excellent video quality and extensive range of support features see it take top honors as we add the latest models to our guides. I stand corrected. High resolution, weather-sealed bodies and wide dynamic range are all important. In the GH5 the HLG mode is reported as "Limited" when you examine the video file on a computer. Shtr Speed / HDR / Shutter Type / Flash Mode / Flash Adjust. So basically this is first time DPR openly admitting that the awards given are totally subjective and are on the whims of the reviewer. A good Sony costs $100k lol. With no reasoning. The thought is making my zoom lens extend. I don't know whether it's slightly different on the DVX200 but 768 is what we've been told. So a Ferrari is very good for its intended audience, not the general public. It enables camera control and shooting while checking the image on a large PC screen. The Panasonic HC-VXF990 4K not so much, not even close. Thanks for the reply! But truth is that the GH5, despite being labelled a hybrid model, is just as capable for video as the GH5s in many ways, and is far more capable than many of its competitors on the mirrorless market. The point I was trying to make is that all video ends up in around the 5 stops of DR inherent in display technology. The problem most noobs run into (and I used to be like this myself) is that OMG EVERYTHING NEEDS TO BE SHOT AT T0.95...which is foolish. Panasonic LUMIX GH5S Body 4K Digital Camera, 10.2 Megapixel Mirrorless Camera with High-Sensitivity MOS Sensor, C4K/4K UHD 4:2:2 10-Bit, 3.2-Inch LCD, DC-GH5S (Black) $1,997.99 Only 5 left in stock - … 30 minutes), 1/8,000 - 60, Motion picture: 59.94Hz: 1/16,000 - 1/30, 50.00Hz: 1/16,000 - 1/25, 23.98Hz: 1/16,000 - 1/24 (When using Synchro Scan), Remote control with Bulb function by DMW-RSL1 (sold separately), 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. Fujifilm's GF 63mm F2.8 R WR was the first lens to come out for the medium format GFX system, but we've slapped it on a GFX 100 to see how it stands up to 100MP of resolution. There are a lot of photo/video cameras that have found a role as B-cameras on professional productions or A-camera for amateur and independent productions. The LUMIX GH5s also lets you select the 14-bit RAW file format. Panasonic offers firmware update program for DC-GH5S to enhance the performance and usability. *****, Wi-Fi / LVF/Monitor Switch / Rec/Playback Switch / Slot Change / 4K PHOTO Play / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / RAW Processing / 4K PHOTO Bulk Saving / Copy / Anamorphic Desqueeze Display / HLG View Assist / HLG View Assist (HDMI) / LUT Monitor Display / LUT HDMI Display / Night Mode / Off / Restore to Default, Standard / Vivid / Natural / Monochrome / L. Monochrome / L. Monochrome D***** / Scenery / Portrait / Custom 1, 2, 3, 4 / Cinelike D / Cinelike V / Like709 / Hybrid Log Gamma* / V-LogL, Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect** / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine*. For now I am going to manually set all HLG clips to "Full" in Resolve so that it displays as 64-940 like it actually is. This sensor actually uses more than its full frame too... Because they're extremely heavily invested in m4/3, being one of the two founders of the 4/3 platform and producing a large number of lenses for this format. Directivity Adjust / HLG View Assist (HDMI) / Color Bars / WFM/Vector Scope / Anamorphic Desqueeze Display / HLG View Assist / LUT Monitor Display / LUT HDMI Display / Focus Transition / Silent Mode / Peaking / Histogram / Guide Line / Video Guide Line / Zebra Pattern / Monochrome Live View / Constant Preview / Live View Boost / Rec Area / Video-Priority Display / Step Zoom / Zoom Speed / Night Mode / Exposure Comp. The sensor in this camera must be around 19.3mm wide. Panasonic Lumix GH5 (body only) DMC-GH5KBODY $949.00. Maybe the constant mention of DOF...maybe the 6k quality with the 1" sensor plus all the different choices for grading. For high-end video work, Panasonic says its users would prefer to use dedicated gimbals and dollies, rather than internal stabilization, and that means physically locking the sensor in place to avoid unwanted interactions between these systems and a floating sensor. Join filmmaker Justin Balog and his cycling partner Remi McManus as they take a trip through the Sonoran desert in the Southwestern United States with the Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH. "It produces the best video footage we've ever tested". 400Mbps (ALL-Intra) high bitrate recording mode is also available. I found somebody on a foreign forum saying it's actually regular m43 sensor and 4x3 proportions are captured with 1.09 crop. *For photos only. AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-ES12060 is used. Film-enthusiast website Studio C-41 takes us on a tour of the Kodak film plant in Rochester NY, with some behind-the-scenes footage of how film is made. :). Some might argue that it is plenty but any way you look you can get a higher Megapixel count camera and downsize to the same as the GH5s and get way cleaner output when needed. Might that small of a difference be chalked up to measurement error, sample variation, operator error, or the brand, age or illumination of the step wedge used? The world is full of solo video shooters who work under less-than-ideal conditions and despite what armchair experts will tell you, focus peaking doesn’t work in every lighting situation. Images shed light on how it 's just done behind the scenes an empty card so you can not close. Are limited compared to GH5 GH5S should offer a fractionally wider angle-of-view than the ones that mechanical. Your are not one of our lines subtle evolution but enough to the! 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